What a terrible mystake I've made. Well, maybe not so terrible after all, I guess I'm just not used to this blog thing and I end up trying too hard, instead of really opening up to my own feelings and knownlegde of what I've studied, read, and learned, and to trust my own judgment in analysing films and arts in general.
So, let me make it up for the "cold" privious review by saying that Il Portiere di Notte came to me as a shock, though it shouldn't have, since I've known about its plot and controversity prior to watching it. I have heard and read about this movie for a while know, but it wasn't untill I watched Indie Sex - Extremes that I finally went in search of the movie.
My first impressions on the movie were: "How could someone make a movie mixing sadomasochism and Holocaust?", "Is is tasteful?", and after 15 minutes "Wow! I can't believe Charlotte Rampling was(is) that gorgeous!". But the thing is, the movie IS very tasteful, full of poetry and angst, and the sexual relationship is portrayed with such comprehension, and respect that is diffucult not to relate to these characters, or at least understand where they're coming from. After all, it's obvious that after WWII both of them are changed forever, and the path they chose to follow, in order to stay or feel alive, was the path of transgressive sex. The interesting thing is it's not always clear who is in charge of the situation, who's taking the lead as the dominant/top. At first we see Maximiliam as the SS oficer, watching her dance half-naked, but 15 years passed we see them exchanging places and enjoying that.
What a sensitive movie, portraying two of the richest, and most complexes characters you could have ever imagined. Yesterday while I was reading a book on sexuality on cinema* I found another interesting fact about this movie; Liliana Cavani and both actors were tried for obscenity, but were absolved when directors such as Luchino Visconti and Bernardo Bertulucci came to their defense.
Even if you don't undestand the purpose of such film or dislike its result you have to admit, what a courageous act, to produce such piece of art! I was flabbergasted by the whole idea, and consider this to be a breakthrough movie in terms of boundaries, sexuality, human interaction, repression, love, among many other subjects. Definetly a mark in film history, and as I said on my previous post, a must-see film by a talented italian director.
And... that's a wrap! I'll be back on Thursday for my next movie. Stay tuned!
* DUNCAN, Paul and KEESEY, Douglas. Erotic Cinema. Taschen.
